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・ Freestyle aerobics
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・ Freestyle Fellowship
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Freestyle rap
・ Freestyle Releasing
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・ Freestyle Session
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・ Freestyle skiing at the 1988 Winter Olympics
・ Freestyle skiing at the 1992 Winter Olympics
・ Freestyle skiing at the 1992 Winter Olympics – Men's moguls
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・ Freestyle skiing at the 1994 Winter Olympics
・ Freestyle skiing at the 1994 Winter Olympics – Men's aerials
・ Freestyle skiing at the 1994 Winter Olympics – Men's moguls


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Freestyle rap : ウィキペディア英語版
Freestyle rap
Freestyle is a style of rap, with or without instrumental beats, in which rap lyrics are improvised, i.e. performed with no previously composed lyrics, and "off the top of the head".〔Kevin Fitzgerald (director), ''Freestyle: The Art of Rhyme'', Bowery, 2000.〕〔T-Love, "The Freestyle", in Brian Cross, ''It's Not About A Salary...'', New York: Verso, 1993.〕〔Gwendolyn D. Pough, 2004, ''Check It While I Wreck It'', UPNE, p.224〕〔Murray Forman, Mark Anthony Neil, 2004, ''That’s The Joint!'', Routledge, p.196〕〔Raquel Z. Rivera, 2003, ''New York Ricans From The Hip-Hop Zone'', Palgrave Macmillan, p. 88〕 It is similar to other improvisational music such as jazz (Myka 9 of Freestyle Fellowship describes it as being "like a jazz solo") where there is a lead instrumentalist acting as the improviser and the rest of the band providing the beat. Rap battles are improvised in this way.
==Original definition==

In the book ''How to Rap'', J-lyric and Myka 9 note that originally a freestyle was a spit on no particular subject – J-lyric said, “in the 2000’s ‘ when we said freestyle rap, that meant that it was a rhyme that you kick that was free of style... it’s basically a rhyme just bragging about yourself.” Myka 9 adds, “back in the day freestyle was bust() a rhyme about any random thing, and it was not a written rhyme or something memorized”. Divine Styler says: “in the school I come from, freestyling was a non-conceptual written rhyme... and now they call freestyling off the top of the head, so the era I come from it’s a lot different”.〔Divine Styler, in Kevin Fitzgerald (director), Freestyle: The Art of Rhyme, Bowery, 2000.〕 Kool Moe Dee also refers to this earlier definition in his book, ''There's A God On The Mic'':
There are two types of freestyle. There’s an old-school freestyle that’s basically rhymes that you’ve just thought of on the spot that may not have anything to do with any subject or that goes all over the place. Then there’s freestyle where you come off the top of the head.

In old school hip-hop, Kool Moe Dee claimed that improvisational rapping was instead called “coming off the top of the head”, and Big Daddy Kane stated, "off-the-top-of-the-head (), we just called that "off the dome" — when you don’t write it and () say whatever comes to mind”.
Referring to this earlier definition (a written rhyme on non-specific subject matter) Big Daddy Kane stated, "that’s really what a freestyle is” and Kool Moe Dee refers to it as “true” freestyle, and “the real old-school freestyle”. Kool Moe Dee suggests that Kool G Rap’s track ‘Men At Work’ is an “excellent example” of “true” freestyle, along with Rakim’s "Lyrics of Fury".

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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